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Quick take

Fair warning: this is not a beach read. Set in a near-future dystopia in which global warming has submerged America’s current coastlines, American War is scarily believable.

Why I love it

Fair warning: _American War_ is not a beach read. Not only because the novel is not fluffy and light, but also because it’s set in a near-future dystopia in which global warming has submerged the majority of America’s current coastlines. Spring Break forever? Not likely. I hate to use the word 'œtimely' nowadays, especially because I have a habit of making everything from _Gilmore Girls_ to _Fifty Shades of Grey_ about contemporary American politics. But if you’re looking for a thrilling read that’s way more fast-paced than the endless bickering in your Facebook feed, _American War_ is scarily believable. Here’s what we know about the state of the country in _American War_: In 2074, America (much smaller than it used to be due to climate change) enters its second Civil War: this time, the North and South face off because the South refuses to give up fossil fuel while the North relies solely on solar and wind energy. The war lasts for nearly twenty years, with unmanned drones and biological warfare and good old-fashioned terrorism making a ruin of the South. To find an anchor amidst all of this horror, _American War_ is told through the lens of one girl’s experience as a Southern refugee. We follow along with Sarat Chestnut’s trials and watch as the war changes her in all of the terrible ways that war can. World-building is difficult in novels like these, in which the author must catch the reader up on the mind-bending events of the past fifty or so years. But author Omar El Akkad uses an effective cheat: interspersed with Sarat’s story are excerpts from historical documents like newspaper stories and oral history outtakes and memoirs and diary entries that help us envision a specific time in history without too much other exposition. This astonishing debut benefits from the author’s experience as a reporter who covered the Arab Spring and the Black Lives Matter movement, to military trials at Guantanamo Bay. He’s a writer who has recorded some of the ugliest moments in recent history, and yet manages to take these terrible building blocks and make something beautiful from them. Not only are the big overarching plot points of the novel well-imagined, but El Akkad gets the small details right, too, mapping the cultural artifacts that stay with us even as the world burns: the Fiona Apple song that Sarat listens to in a quiet moment, an Alibaba T-shirt, now-exotic oranges, the copious amounts of blankets mailed by aid workers from other parts of the world. It’s these glimpses of humanity that ground us in our own cultural moment even as we tremble at the thought of what might come.
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    April 2017
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