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Alive Day by Karie Fugett

Memoir

Alive Day

Debut

by Karie Fugett

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Quick take

After a catastrophic injury sends her husband home from war, a young wife is left to deal with the consequences.

Good to know

  • Illustrated icon, Emotional

    Emotional

  • Illustrated icon, Graphic_Content

    Graphic violence

  • Illustrated icon, Drugs_and_Alcohol

    Drug & alcohol use

  • Illustrated icon, War

    War

Synopsis

Karie Fugett is living out of her car in a Kmart parking lot when her boyfriend Cleve suggests “Maybe we could get married or somethin’.” Karie says yes out of love, but also out of convenience. As a twenty-year-old high school dropout who ran away from her family and recently lost her job, Karie has nowhere else to turn. Just months after they elope, Cleve’s Marine unit is deployed to Iraq. Then Karie gets the call: Cleve’s Humvee has been hit by an IED, and he’s suffered severe injuries.

Karie rushes to Walter Reed, where she’s told it’s a miracle that her husband has survived. “Happy Alive Day, man,” a fellow vet says to Cleve, explaining that the date will always be marked as the day he was given a second chance at life. Newlyweds barely out of their teens, Karie and Cleve are thrust into utterly foreign roles. Karie tries to adapt to her job as a caregiver, navigating the labyrinthine system of veterans affairs, hospital bureaucracy, and doctors who do little more than shrug when she raises concerns about Cleve’s dependency on painkillers. It is clear to Karie that Cleve is using opiates to dull a pain that is more than physical. She catches his first overdose, but what if she can’t save him a second time? Will she still be able to save herself?

Content warning

This book contains scenes depicting domestic abuse, child abuse, and miscarriage.

Free sample

Get an early look from the first pages of Alive Day.

Alive Day

PROLOGUE

November 2005

I wake up on a blow-­up mattress next to a mountain of beer boxes with a pistol under my pillow. I’d noticed its hard edges on my cheek, felt around, and paused when my fingertips touched cool metal. I pull it out and hold it flat in my hands, stare at its angles and curves, consider the desolation of the barrel, trying to remember how the hell it got there. Cleve is already awake and pulling a yellow-­and-­blue-­striped polo shirt over his head.

“Uh . . . what is this?” I ask.

He chuckles and sits down on the edge of the mattress. With pops and squeaks, it lifts my body and rolls me toward him.

“Don’t worry about that,” he says. He picks up a pair of camo-­print cargo shorts that’d been crumpled on the floor next to the mattress, pulls them over his legs, and stands once they’re at his thighs. My mind is somewhere else, struggling to piece together the night before. The sound of Cleve’s zipper pulls me out of a trance. “I put it there.”

He explains that the night before, he’d found Fowler, his nineteen-year-­old Marine Corps buddy, frantic and sobbing with both arms extended, the pistol squeezed between his sweaty, trembling hands and pointed toward his wife. Earlier that night, Fowler’d found a love letter in the hidden compartment of a wooden box his wife kept in her nightstand. It was from another Marine in their unit. One of his best friends.

“Our baby’s in the other room, you fucking psycho!” she had screamed, but Fowler remained. I imagine his face distorted by the puffy wetness of his crying, imagine his wife regretting saying those words the moment they fell from her mouth. Did she drop to her knees and beg for forgiveness, willing to do anything to save her own life? I wonder what I would do if I were looking down the barrel of a gun. They say that when someone is about to die, they see a montage of their life leading up to that point. Movies depict the moment before death as a reel of happy memories. Birthdays, graduations, first kisses—­one after another after another. But when I imagine this young woman, her baby in the room on the other side of the wall behind her, I know she was thinking about her future, all the things she would miss out on, her parentless child. Cleve, a peacemaker among his friends, convinced his buddy not to shoot.

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Why I love it

I’ve been told that everyone has to have their crying-on-the-subway moment after moving to New York City. My moment came on the C train, around three quarters of the way through Alive Day, the beautiful, tragic debut memoir from Karie Fugett.

Karie was only 20 when she eloped with Cleve, a boy she’d known since middle school. Shortly thereafter, Cleve was deployed to Iraq. What follows is an emotional story of love and loss, as Karie is forced to face the years-long consequences of Cleve’s deployment.

This memoir is a tour de force exploring the perils and vicissitudes military couples faced during the Iraq war and afterwards, when many veterans were left to fend for themselves in the face of severe injuries and PTSD. It affected me both emotionally and intellectually in ways I could not have anticipated before I picked it up. Karie and Cleve’s story deserves to be read, and I am excited and honored to be sharing it as a Book of the Month.

Member ratings (8)

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The Names
The Bombshell
The Man Made of Smoke
Silver Elite
Home of the American Circus
Alive Day