A Woman Is No Man by Etaf Rum
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A Woman Is No Man by Etaf Rum

Contemporary fiction

A Woman Is No Man

2019 LOLLY FINALIST
Debut
Early Release

by Etaf Rum

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Quick take

Three generations of women weigh family duty and desire in a conservative Palestinian community in Brooklyn.

Good to know

  • Illustrated icon, Emotional

    Emotional

  • Illustrated icon, Feminist

    Feminist

  • Illustrated icon, Inspirational

    Inspirational

  • Illustrated icon, Family_Drama

    Family drama

Synopsis

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children—four daughters instead of the sons Fareeda tells Isra she must bear.

Brooklyn, 2008. Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man.

But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family—knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.

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A Woman Is No Man

I was born without a voice, one cold, overcast day in Brooklyn, New York. No one ever spoke of my condition. I did not know I was mute until years later, when I opened my mouth to ask for what I wanted and realized no one could hear me. Where I come from, voicelessness is the condition of my gender, as normal as the bosoms on a woman’s chest, as necessary as the next generation growing inside her belly. But we will never tell you this, of course. Where I come from, we’ve learned to conceal our condition. We’ve been taught to silence ourselves, that our silence will save us. It is only now, many years later, that I know this to be false. Only now, as I write this story, do I feel my voice coming.

You’ve never heard this story before. No matter how many books you’ve read, how many tales you know, believe me: no one has ever told you a story like this one. Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of, dangerous, the ultimate shame.

But you have seen us. Take a walk in New York City on a sunny afternoon. Walk down the length of Manhattan until the streets become curved and tangled as they are in the Old World. Go east, over the Brooklyn Bridge, Manhattan’s skyline thinning behind you. There will be a heavy traffic jam on the other side. Hail a yellow cab and ride it down Flatbush Avenue, that central artery of south Brooklyn. You’ll go south on Third Avenue, where the buildings are smaller—only three, four stories high, with old faces. The Verrazano-Narrows Bridge hovers on the horizon like a giant gull, wings spread, the sweeping view of the Manhattan skyline a distant mirage.

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