Fallow by Sarah Anderson
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Fallow by Sarah Anderson

Literary fiction

Fallow

Debut

by Sarah Anderson

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Quick take

Pregnancy goes corporate in this literary debut that asks what a woman wouldn’t do for insurance and a stable paycheck.

Good to know

  • Illustrated icon, Feminist

    Feminist

  • Illustrated icon, Snarky

    Snarky

  • Illustrated icon, Unsettling

    Unsettling

  • Illustrated icon, Dystopian

    Dystopian

Synopsis

Natalie knows one truth: there is no such thing as a good job. As the clock ticks away at the call center where she logs complaints of workplace harassment, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.

Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program, pitched as an opportunity to help women access greater gender equity. She will be their in-house surrogate, delivering seven babies in ten years and enabling their executives to have motherhood without maternity leave. Finally, she will be adequately―generously―compensated.

For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock health care. Between deliveries, she takes time off―a fallow period, with no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.

But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything. Natalie is pulled into an entirely different kind of social experiment, one that raises new questions about her future, her freedom, her purpose, what she can expect from the world, and what she can offer to it.

Read a sample

Get an early look from the first pages of Fallow.

Fallow

One

The problem was that I’d never held a job with dental insurance.

The problem was that I didn’t want one. The problem was ancient. The problem was teeth. The problem was urgent. The problem was money. The problem was that I hate to work and I always have.

When we were little, my sisters’ stuffed animals became astronauts and firefighters and chefs. Mine took vacations and naps and watched TV. My sisters started working as soon as they could at the local ice cream shop, which employed children through some legal loophole because it was on farmland. They showed off the little biceps they’d developed from scooping, hard knots on their ropy eleven-year-old arms, and tried to recruit me. But I didn’t work until sixteen, when I had to start paying for my share of the phone bill. “It’s called a family plan for a reason,” I tried to argue, but my father put his foot down.

My first job was in a specialty pet store for reptiles, cleaning snake shit from the tanks—wet, oblong pellets full of hair. The owner told me that he normally only hired teen boys, but he was making an exception because I reminded him of his daughter, who was in jail at that point, for reasons never disclosed to me. The snakes eyed me curiously, sometimes wrapping themselves around my wrists as I worked. If a tank was too clean, I was to soak the snake in warm water, a surefire cure for reptilian constipation.

A few months after I started, my colleague, Justin from Geometry, left a heat lamp on overnight and baked a chameleon to death, its mouth gaped open like it was screaming, and I was promoted from snakes to chameleons. “A promotion in title only,” the manager clarified when I asked about a raise.

I surprised everyone, even myself, by embracing the role. I read every online chat board I could find and all of r/Chameleons. Every post underscored the enormity of the task ahead of me. “This is an animal for people who love this animal so much, they will arrange their life around it, and do not mind that it not only won’t love them back, it doesn’t ever want to see them,” wrote a reptile breeder named Donna. “This is worse than an orchid. This is an orchid that hates you.” Chameleons, I learned, do not suffer fools.

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Why we chose it...


This biting novel interrogates “hustle culture” and “work-life balance” in late-stage capitalism, satirizing the ever-evolving expectations of corporate life.


The wry, sardonic humor has a razor-sharp edge—this is the kind of book that will have you snickering along with the delightfully dry narrator as she scrambles toward self-preservation.


The unnerving premise of outsourcing maternity leave via corporate surrogacy felt both dystopian and prescient, raising thought-provoking questions perfect for book club discussion.

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The True Confessions of First Lady Freeman
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The Wretched Divine
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If Not You
Before You Were Anne