The Children by Melissa Albert
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The Children by Melissa Albert

Gothic fiction

The Children

by Melissa Albert

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Quick take

In this atmospheric horror, reality is warped and memory can’t be trusted. It’s a whole new haunted house story.

Good to know

  • Illustrated icon, Family_Drama

    Family drama

  • Illustrated icon, Nonlinear_Timeline

    Nonlinear timeline

  • Illustrated icon, Creepy

    Creepy

  • Illustrated icon, Magical

    Magical

Synopsis

Guinevere Sharpe has two childhoods.

In one, she lives in the wooded shadow of her family’s isolated Vermont farmhouse; in the other, the pages of her mother’s world-famous Ninth City books, where her magical adventures have made her a household name. In reality, Guinevere’s childhood isn’t the enchanted idyll her mother’s readers imagine: she and her older brother are growing up near-feral, unwashed and underfed, escaping each day to the lichen-clotted woods they’ve made their playland. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame—until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors.

Now an adult coasting on her mother’s name, Guinevere is mid-promotion for a ghostwritten memoir when her estranged brother, an artist who has until now spurned his family’s legacy, announces an upcoming installation titled Mother. As rumors swirl around a death connected to his last show, unsettling recollections from Guinevere’s childhood begin to surface. Her public facade starts to crack, forcing her to confront the questions she’s spent the last twenty years running from: What really happened the night of the fire? And what dark history lies behind their mother’s creative genius?

Read a sample

Get an early look from the first pages of The Children.

The Children

One

“Almost done.”

The makeup artist spoke softly, flicking a little brush over her closed eyelids.

“Take your time.” Guin tried to speak without moving her face. She hadn’t been sleeping well, and this felt like a sister to sleep. Floating in the dark, surrendering to a voice, a brush, the painterly scents of the morning show’s green room. Coffee and perfume, dust toasting on the bulbs.

The makeup artist, Alison, was fresh in from Detroit. Moved to Williamsburg for a bad boyfriend and now she lived in Crown Heights with three roommates and a drum kit that blocked the front door. She’d spent the past ten minutes detailing the despicable personal habits of each roommate before going quiet.

It was a quiet Guin recognized. Sure enough, the girl leaned closer, voice dropping. Her breath smelled strongly of matcha.

“I lived in the Ninth City,” she said.

A little charge ran up Guin’s spine.

“When I was a kid,” Alison went on, “I basically lived there. I would read the books in order, then start right back at book one.”

Softly Guin said, “Wow.”

“Yeah. Look, I’m sure you hear this all the time, but—­can I tell you how much your mother’s books meant to me?”

“Of course you can.” Guin did hear this all the time. It was her job, as she saw it, to listen.

Alison breathed deep, a little catch in the throat. “When I was eight my parents got a divorce. We had to sell our house and move to a different town so they could carry two rents. I had to start at a new school midyear, and my older sister basically stopped talking, and…god, I was so alone.”

Her voice was edged with a familiar lace of nerves and regression. All the misfit kids who’d grown up on the Ninth City series fell straight back through time when confronted with her, the actual Guinevere Sharpe. Daughter of author Edith Sharpe, living avatar of their favorite literary character.

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Why we chose it...


From tangled forests to missing fingers to mysterious keys, the vibes of this gothic fairy tale are enjoyably haunting from start to finish.


The troubled sibling relationship at the heart of this novel offers a nuanced exploration of how children can grow up next to each other but have vastly different childhood experiences.


This novel explores the stories we tell about ourselves and our families and made us think about the ways that fiction sometimes reveals deeper truths than nonfiction.

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