The Four Wives and Five Deaths of Richard Milford by Nafissa Thompson-Spires
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The Four Wives and Five Deaths of Richard Milford by Nafissa Thompson-Spires

Literary fiction

The Four Wives and Five Deaths of Richard Milford

by Nafissa Thompson-Spires

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Quick take

How many ways can one man die? This inventive literary novel is a study of mythmaking, marriage, and small-town gossip.

Good to know

  • Illustrated icon, Multiple_Viewpoints

    Multiple viewpoints

  • Illustrated icon, Cerebral

    Cerebral

  • Illustrated icon, Graphic_Content

    Graphic violence

  • Illustrated icon, Under200

    Under 200 pages

Synopsis

Rich Milford is dead. At last.

We find ourselves in 1920s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. He’s dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four “wives,” Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

Content warning

This book contains scenes depicting a miscarriage.

Read a sample

Get an early look from the first pages of The Four Wives and Five Deaths of Richard Milford.

The Four Wives and Five Deaths of Richard Milford

Chapter One

It was at the funeral, at the funeral, where we first saw all the wives, and the curtains of the house drew open. We had caught glimpses around Newville for years, but now that we could examine them up close, we wanted blood and wailing, the dramas of fighting, grieving, concupiscent women flinging themselves over Rich’s exanimate body. They met us instead with upturned faces and dignity, pressed clothing and palms. The devil beat his wife that day, as we heard Rich had beaten his. The rain pelted us, the sun pelted us, and sweat, water, mud, and dust dotted our clothes and soaked our ankles, so it was like the Lord punished us for coming to ogle.

There were six pallbearers, the oldest sons, paper-doll cutouts of Rich in descending sizes. We showed up with stuffed Cornish hens, greens, macaroni and cheese, crisp fried chicken, potato salad, pecan pie, ribs, biscuits, cobbler, shortcakes, raspberry cordial, cordiality, and affected pity as our self-charged admission fee for the spectacle. We didn’t like the way our children looked at theirs, not so much with natural curiosity, but with hunger in their eyes. We were hungry, too.

Yet those women, Lally, Sophronia, Georgette, and Vivianne, and their brood of children were civil, respectable, striking, lined up in their plain white cotton dresses and pants, for it was a Friday—and their getups apparently part of Rich’s eccentric practices—along with Rich’s three-legged hound, who barked only once when the first handful of dirt landed on the plain ash casket.

And that was that. No one spoke. Rich belonged to the church of himself and had no reverend. The women and children sang a song we did not recognize and cannot remember, led a cappella by the light-skinned wife with freckles, Vivianne. He was buried in the ground almost unceremoniously, until she tried to jump in after him. The other three women snatched her back with one big hand, then started crying in more harmony than in their singing moments before. Rich came into the world with a bang, lived in it with lightning flashes and flared nostrils, and left it as we all do, alone, with little blues, except what the women made over him, and a slight buzzing in the air. We followed the procession, gaping at the scene, glancing occasionally at the sun, gulping up the raindrops in the field.

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Why we chose it...


Get your highlighters ready—you’ll want to annotate every sentence of this book’s masterful prose, which braids intricate, artful language into insightful observations about human nature.


Set in a 1920s Oklahoma town, the book’s cleverly-executed Greek chorus of townspeople brings community gossip to life, showing how truth can transform from tall-tale speculation into bold-faced lies.


In most mysteries, nobody knows who the murderer is—but in this lively, inventive twist on the classic “whodunnit,” all four wives think they’re the culprit, making for a topsy-turvy yet singular reading experience.

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Reap & Sow
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Bad Words
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American Hagwon
Queen of Lombard Street