The Sun Was Electric Light by Rachel Morton

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Titles from indie and international voices for those who seek artistic expression over commercial appeal, elevated prose over action-packed plots, and the unconventional over the mainstream. The Offset is a counterbalance to commercial trends, offering books that are an artful deviation from the expected.

The Sun Was Electric Light by Rachel Morton

The Offset

The Sun Was Electric Light

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by Rachel Morton

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The deviation

Askew

Acute

Full tilt

Quick take

A meditation on the desire to start over and the allure of the one-way airfare. This dreamy debut novel reads like a postcard from your poet friend. It had us underlining phrases and planning a trip to South America. Read if you seek a quiet, reflective novel with Hemingway-esque prose and musings on belonging.

Synopsis

Disillusioned with her life in New York, Ruth returns to a lake town in Guatemala where she had been happy a decade earlier. There, in Panajachel, she meets two very different women: the calm and practical Emilie, and the turbulent and intoxicating Carmen. Deciding to stay and build a life at the lake, Ruth finds work first as a nanny to a wealthy local family, then as an English teacher at a vill...

Content warning

This book contains mentions of suicidal ideation.

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Get an early look from the first pages of The Sun Was Electric Light.

The Sun Was Electric Light

1

I met Carmen when I wasn’t well and had gone to the lake for the second time. The first time I went was ten years ago, when I still thought life would bring me things. Life had seemed to bring other people things, and I thought it might bring them to me. I didn’t know it was too late for all that, even though I was still very young.

I met Dwain in the expat bars, and it was through Dwain that I met Carmen. Carmen had lived at the lake all her life. When I first met her, she seemed like a queen. She was haughty and she was arrogant and she had the most beautiful hair. Later on, I saw her differently, but that was how she seemed when we first met.

I went to the lake because my life in New York hadn’t worked out, and my life before that hadn’t worked either. On the outside I seemed to be functioning well, but inside I had the feeling that nothing had meaning and also that everything was fake. Even the waves of the sea looked fake. I knew the waves of the sea were real, but when I looked at them from the side of the boat on the way home from a camping trip, they looked fake, as though we were on a movie set and the sea was a giant swimming pool and the sun was electric light. Nothing seemed real, and to feel real, I imagined, was the fundamental thing, the thing you needed before anything else can begin. I thought if I was going to fix my life, I would need to get to where things felt real.

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The angle


Expat life


Musings on belonging


Poetic prose