Lady Tremaine by Rachel Hochhauser

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Lady Tremaine by Rachel Hochhauser

Retelling

Lady Tremaine

Debut

by Rachel Hochhauser

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Quick take

This misunderstood villain is changing the narrative on what it means to have a fairytale happy ending.

Good to know

  • Illustrated icon, Emotional

    Emotional

  • Illustrated icon, Feminist

    Feminist

  • Illustrated icon, Based_on_a_Classic

    Based on a classic

  • Illustrated icon, Mama_Drama

    Mama drama

Synopsis

Twice-widowed, Lady Etheldreda Verity Isolde Tremaine Bramley is solely responsible for her two children, a priggish stepdaughter, a razor-taloned peregrine falcon, and a crumbling manor. Fierce and determined, Ethel clings to the respectability her deceased husband’s title affords her, hoping it will secure her daughters’ future through marriage.

When a royal ball offers the chance to change everything, Ethel risks her pride in pursuit of an invitation for all three of her daughters—only to see her hopes fulfilled by the wrong one. As an engagement to the future king unfolds, Ethel discovers a sordid secret hidden in the depths of the royal family, forcing her to choose between the security she craves and the wellbeing of the stepdaughter who has rebuffed her at every turn.

Exhilarating to its core, Lady Tremaine reimagines the myth of the evil stepmother at the heart of the world’s most famous fairy tale. It is a battle cry for a mother’s love for her daughters, and a celebration of women everywhere who make their own fortunes.

Content warning

This book contains mentions of rape and sexual assault.

Read a sample

Get an early look from the first pages of Lady Tremaine.

Lady Tremaine

CHAPTER ONE

I’ve been warned to be wary of strangers in the woods since I was a little girl. A person, alone, unfamiliar, hidden in the dappled darkness, is not to be trusted. And, certainly, the woods can hide the sorts of people you’d rather not encounter. Outlaws and outcasts. Gruesomely mutilated pariahs—those with fingers taken for thieving, lips and tongues cut out for lying, flesh rotting for submission to disease. But just as shadows serve to hide and disguise, they also provide privacy and solitude, and, if you look carefully, beauty. The darkness of the woods offers a break from watchful eyes and rules to follow and stiffened skirts and the never-ending etiquette of being a woman in the world. For a few short hours of the day, I’ve always considered it a fair trade: darkness for freedom.

But when I first heard the twig snap and saw the man ahead of me, I was scared. I saw beard and sword and steel. Year after year of warnings—to stay in the light, to travel in pairs, to avoid complicity in your fate—surfaced with one shallow breath.

That morning, it was early, and I had been somewhere I was not supposed to be. No matter if the stranger intended no harm. Fear makes people dangerous. And you see: To him, I, too, was a stranger in the woods.

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Why we chose it...


She may not be evil, but Cinderella’s stepmother is no princess—we loved her brazen, flawed ambition and all the ways she grew throughout the book.


More than just a fractured fairy tale, this subversively witty retelling made us question the foundations of the genre itself—is marrying a prince really the path to happiness?


This book digs deep into the complexities of motherhood and the heartbreaking dynamic of wanting things for your daughters that they may not want for themselves.

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