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Let Us Descend by Jesmyn Ward

Literary fiction

Let Us Descend

Repeat author

Jesmyn Ward is back at Book of the Month – other BOTMs include Salvage the Bones and Sing, Unburied, Sing.

by Jesmyn Ward

Excellent choice

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Volume 0
Volume 0

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Yes, she’s embroidered.

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Quick take

Haunting and haunted, this is the powerful story of an enslaved girl seeking redemption with the help of her ancestors.

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Good to know

  • Illustrated icon, Heavy_Read

    Heavy read

  • Illustrated icon, Supernatural

    Supernatural

  • Illustrated icon, LGBTQ_themes

    LGBTQ+ themes

  • Illustrated icon, Cerebral

    Cerebral

Synopsis

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

Content warning

This book contains scenes that mention sexual assault.

Free sample

Get an early look from the first pages of Let Us Descend.

Let Us Descend

CHAPTER 1

Mama’s Bladed Hands

The first weapon I ever held was my mother’s hand. I was a small child then, soft at the belly. On that night, my mother woke me and led me out to the Carolina woods, deep, deep into the murmuring trees, black with the sun’s leaving. The bones in her fingers: blades in sheaths, but I did not know this yet. We walked until we came to a small clearing around a lightning-burnt tree, far from my sire’s rambling cream house that sits beyond the rice fields. Far from my sire, who is as white as my mother is dark. Far from this man who says he owns us, from this man who drives my mother to a black thread in the dim closeness of his kitchen, where she spends most of her waking hours working to feed him and his two paunchy, milk-sallow children. I was bird-boned, my head brushing my mother’s shoulder. On that night long ago, my mother knelt in the fractured tree’s roots and dug out two long, thin limbs: one with a tip carved like a spear, the other wavy as a snake, clumsily hewn.

“Take this,” my mother said, throwing the crooked limb to me. “I whittled it when I was small.”

I missed it, and the jagged staff clattered to the ground. I picked it up and held it so tight the knobs from her hewing cut, and then my mother bought her own dark limb down. She had never struck me before, not with her hands, not with wood. Pain burned my shoulder, then lanced through the other.

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Why I love it

Every generation, there comes along a storyteller who doesn’t just tell the story of America, but who sings it. Jesmyn Ward is one such griot. She spins sentences made of silk that land solid as stone. In this story about the love of women—a mother’s love, a mother’s mother’s love, and a daughter’s trust—readers are gathered together in the name of hope.

Annis is heartbroken and inconsolable after her mother is sold South to the slave market in nineteenth-century New Orleans. A descendant of West African warrior women, Annis sinks beneath the weight of her grief, unable to find the strength her mother always insisted she carried within. Then she finally finds healing and love in the arms of Safi, until the two of them are sold South just like Annis’s mother.

Along the journey, a weather spirit carrying the name of Annis’s grandmother appears to her. At times rejecting the spirit’s guidance and at other times seeking her protection, Annis begins to learn, through a careful piecing together of memory, how to create her own version of freedom.

This is a book not to be missed. You will pick it up and be held in its thrall until you turn the last page. Let Us Descend urges us to cast our eyes upward to the wind rustling the trees, to hear voices in the song of a bird, to know that spirits are ever-present, if we just pause long enough to listen.

Member ratings (5,685)

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& Sons
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Literary fiction
View all
Intermezzo
The Book of George
Real Americans
Dirty Diana
Wellness
Margo’s Got Money Troubles
The God of the Woods
Same As It Ever Was
Annie Bot
Bear
Mercury
True Biz
Family Happiness
The Lady Waiting
The Other Valley
Hard by a Great Forest
Good Material
The Bullet Swallower
Happy All the Time
Rental House
Alice Sadie Celine
Let Us Descend
Tomorrow, and Tomorrow, and Tomorrow
Shark Heart
Homeseeking
Transcendent Kingdom
Hello Beautiful
Dominicana
What's Mine and Yours
The Unsettled
Ask Again, Yes
Vladimir
Infinite Country
The Prophets
Normal People
The Verifiers
Salvage the Bones
The Many Daughters of Afong Moy
I Have Some Questions for You
Black Buck
The History of Love
Age of Vice
Paper Names
The Light Pirate
The Secret History
The Kite Runner
Memorial
The Half Moon
Happiness Falls
The Gifted School
The Death of Vivek Oji
The Knockout Queen
Little Monsters
Yerba Buena
Beautiful World, Where Are You
Free Food for Millionaires
A Burning
The Mothers
The Water Dancer
Small Country
The Sympathizer
Fleishman Is in Trouble
Lot
An American Marriage
The Animators
The Mars Room
Exit West
White Fur
Woman No. 17
The Ministry of Utmost Happiness
Eat Only When You're Hungry
Rainbirds
A Ladder to the Sky
Golden Child
The Goldfinch
The Love Affairs of Nathaniel P
& Sons
The Association of Small Bombs
Lolly Willowes
All Grown Up
Marlena
Signal Fires
Someday, Maybe
Woman of Light
Marrying the Ketchups
The Shards
Blue Sisters