Native Son by Richard Wright

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A 1940 Selection.

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Native Son

by Richard Wright

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About the author

Richard Wright was born near Roxie, Mississippi, in 1908. He won international acclaim for his powerful and visceral depictions of the Black experience. The author of numerous works of fiction and nonfiction, he stands today as one of the greatest American writers of the twentieth century. Native Son and his autobiography, Black Boy, are required reading in many high schools and colleges across the nation. He died in Paris, France, in 1960.

Cultural history: 1940 to now

  • Film
  • Literature

  • Theater

Hollywood’s racial restrictions meant that the 1951 film adaptation of Native Son was shot in Argentina with a predominantly American cast. When lead actor Canada Lee dropped out of the production due to last minute-scheduling difficulties, author Richard Wright himself stepped in to play protagonist Bigger Thomas.

In 2019, indie film studio A24 transformed and modernized the novel in a new adaptation, which featured a green-haired, leather-jacketed Bigger working as a chauffeur in contemporary Chicago.

As one of the first American bestsellers written by a Black author, Native Son challenged readers across the nation with its bold perspective on race, class, and politics. A classic “protest novel,” it drew widespread attention to the societal injustices of life in 1930s Chicago.

Today, despite being widely regarded as a literary classic, Native Son remains a banned title in many prisons and schools across America.

Native Son’s Broadway adaptation was fraught with tension. The collaboration between author Richard Wright and playwright Paul Green quickly devolved into an ideological gridlock: Green wanted to tell the story as a sentimental tragedy with a redemptive ending, undercutting Wright’s focus on societal dysfunction.

Despite Wright’s inexperience as a playwright, producers Orson Welles and John Houseman supported his vision for the final script. The resulting play was a dark and thought-provoking critical hit and featured one of the first interracial kisses on a Broadway stage.

Synopsis

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young Black man caught in a downward spiral after he kills a young white woman in a brief moment of panic.

Set in Chicago in the 1930s, Richard Wright’s powerful novel is an unsparing reflection on the poverty and f...

Content warning

This book contains scenes depicting graphic violence and sexual assault.

Read a sample

Get an early look from the first pages of Native Son.

Native Son

Book One

Fear

Brrrrrrriiiiiiiiiiiiiiiiiiinng!

An alarm clock clanged in the dark and silent room. A bed spring creaked. A woman’s voice sang out impatiently:

“Bigger, shut that thing off!”

A surly grunt sounded above the tinny ring of metal. Naked feet swished dryly across the planks in the wooden floor and the clang ceased abruptly.

“Turn on the light, Bigger.”

“Awright,” came a sleepy mumble.

Light flooded the room and revealed a black boy standing in a narrow space between two iron beds, rubbing his eyes with the backs of his hands. From a bed to his right the woman spoke again:

“Buddy, get up from there! I got a big washing on my hands today and I want you-all out of here.”

Another black boy rolled from bed and stood up. The woman also rose and stood in her nightgown.

“Turn your heads so I can dress,” she said.

The two boys averted their eyes and gazed into a far corner of the room. The woman rushed out of her nightgown and put on a pair of step-ins. She turned to the bed from which she had risen and called:

“Vera! Get up from there!”

“What time is it, Ma?” asked a muffled, adolescent voice from beneath a quilt.

“Get up from there, I say!”

“O.K., Ma.”

A brown-skinned girl in a cotton gown got up and stretched her arms above her head and yawned. Sleepily, she sat on a chair and fumbled with her stockings. The two boys kept their faces averted while their mother and sister put on enough clothes to keep them from feeling ashamed; and the mother and sister did the same while the boys dressed. Abruptly, they all paused, holding their clothes in their hands, their attention caught by a light tapping in the thinly plastered walls of the room. They forgot their conspiracy against shame and their eyes strayed apprehensively over the floor.

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Centennial Editions
Native Son
All Quiet on the Western Front