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The Last Tale of the Flower Bride by Roshani Chokshi

The Last Tale of the Flower Bride

by Roshani Chokshi

Quick take

This lush, gothic fairytale follows the moment when a dreamy marriage risks transforming into a childhood nightmare.

Good to know

  • Illustrated icon, Icon_Romance


  • Illustrated icon, Icon_FemaleFriendship

    Female friendships

  • Illustrated icon, Icon_Unreliable

    Unreliable narrator

  • Illustrated icon, Icon_Ornate



Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Casteñada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed they would live happily ever after—and in exchange for her love, Indigo extracted a promise: that her bridegroom would never pry into her past.

But when Indigo learns that her estranged aunt is dying and the couple is forced to return to her childhood home, the House of Dreams, the bridegroom will soon find himself unable to resist. For within the crumbling manor’s extravagant rooms and musty halls, there lurks the shadow of another girl: Azure, Indigo’s dearest childhood friend who suddenly disappeared. As the house slowly reveals his wife’s secrets, the bridegroom will be forced to choose between reality and fantasy, even if doing so threatens to destroy their marriage . . . or their lives.

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Free sample

Get an early look from the first pages of The Last Tale of the Flower Bride.

Why I love it

The Last Tale of the Flower Bride is a very special breed of story.

To call it a gender-swapped Bluebeard isn’t inaccurate, but it is reductive. After all, the best fairy tale reimaginings do not simply pay homage to their source material but rewrite them so thoroughly that they can cast off the inspiration, exist without demanding any knowledge of it. In this way, any allusions to the original fable serve as delightful garnishes, while the work becomes its own meal.

This is what Roshani Chokshi does. And while there are certainly nods to Bluebeard—from the many iterations of the color to the deal Indigo extracts in exchange for her love, that the bridegroom must never pry into her past—the novel Chokshi gives us is so much more. She has managed to maintain the aura of a fable while creating something urgent and modern and thoroughly adult.

This is a love letter to the particular love that blooms between teen girls, where friendship tangles with obsession, as well as the lust that takes hold when we fall for someone we do not—cannot—truly know. A fairy tale that’s fermented, grown stranger and richer. Chokshi commands the senses with her lush prose, creating an intoxicating cloud, an experience at once visceral and intellectual.

As a writer, this novel is a marvel.

As a reader, it is a decadent delight.

I didn’t want it to end. And yet, I couldn’t put it down.

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Member ratings (2,555)

  • Cynthia S.

    Tucson, AZ

    This book was predictable in the way that myths, fairy tales and tragedies should be. The gothic descriptions of the living home, the otherworld, the bridegroom’s obsession with stories had me hooked!

  • Alexx B.

    Nanuet, NY

    A dose of magical realism that asks what’s real, what isn’t, and just how much does that distinction really matter in the end? The magic in the words is certainly real - I am thoroughly enchanted.

  • Emily P.

    Lewisberry, PA

    5/5 stars I really did love this story with the magic of the House of Dreams, the Otherword, and the story with Indigo and Azure, and the the story with Indigo and her husband who finds out their sto

  • Nikita P.

    Floral Park, NY

    Roshani can do wrong. An absolute masterpiece of a novel. A gorgeously written tale about the serated edge of feral girlhood and the intricacies of marriage. I will never stop recommending this book!

  • Brittany O.

    Portsmouth, VA

    This was so much weirder and more wonderful than I expected. The prose was lovely and hypnotic, the story a fairy tale in the truest sense- metaphor and magic concealing ugly truths. Perfect ending.