As pale as a grave grub she’s an eyeful.

She looks up at him, startled, from the bed. Her pale eyes flitting fishy: intruder—lantern—door—intruder. As if she’s trying to work out how they all connect, with her eyes cauled and clouded.

Is she blind?

No. She sees him all right; he knows that she sees him. Now her eyes are following him as he steals nearer.

She’s pretty.

She’s more than pretty. She’s a churchyard angel, a marble carving, with her ivory curls and her pale, pale stony eyes. But not stone—brightening pearl, oh soft hued!

He could touch her: stroke her cheek, hold the wee point of her chin, wind her white curls around his finger.

Her lips are beginning to move, pouting and posturing, as if she’s working up to something, as if she’s working up to sound.

Without further thought he puts his hand over her mouth, his skin dark against hers in the lantern light. She frowns and her feet beat an angry tattoo despite the restraints and the coverlet is off. She has two legs, like a girl. Two thin white legs and two thin white arms and not much else in between.

Then she stops and lies still, panting.

The touch of her: she is like nothing in nature. Skin waxy and damp, breath cold: an unnatural coldness, like a corpse living.

And that smell again, stronger now, the sharp salt of the open ocean, an inky seaweed tang.

She fixes him with her pearly eyes. He feels the slick nubs of her teeth and the quick, wet probe of her tongue on his hand.